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waiting to exhale

We have great holidays. Since moving to Australia we’ve been to Japan, New Zealand, Cambodia, Ireland, Hong Kong,  London, France, and all over Australia. We cram as much as we can into the time we have off work. We’re experts at it.

This is the first time in a few years that we have a very relaxing, quiet holiday planned. My words to Orlando were that I wanted to get away from it all, not get amongst it. A new country, albeit seen through the lens of a tourist resort, will be a novelty: our first time on a Pacific island.

I am looking forward to it more than anything in recent years.

The closer we get to this trip, the more significant it becomes to me. Usually I look forward to the exploration, the travel, the new experiences. This time, I am focusing on space. Space to think, to live a few hours uncluttered by breaking news on the internet, the drip-feed of work emails, the queue of tv shows and movies waiting to be watched on the set-top box, the news feed on Facebook, the pile of books by the bed waiting to be read, two blogs to be updated, two mobile phones in my handbag.

I imagine sleeping and waking according to what my body says. Listening to the sound of the waves rather than my MP3 player. Figuring out what time it is according to the position of the sun in the sky, and not my work phone. Drinking water and not using coffee to get through the day. Spending time suspended underwater, silent, observing the aquatic life around me. Reconnecting with nature, with the water, with the stars, with my own mind and body, with Orlando. Not thinking about others, but about myself. Ourselves.

I kind of forget how to do all that.

I want to get to the point where all I think about is the next break  of a wave on the beach. I want to empty my mind.

I shall let you know how I go.

 

old photos

history of Ireland

I never really wrote about my last trip to Ireland, although it was wonderful. I managed to arrive on the hottest day of the year, and spent my first evening surrounded by family in the back garden drinking wine and catching up on all the news. It didn’t get properly dark until almost midnight, being only a week after Midsummer’s Day, and it stayed balmy all evening too. Most unusual, and most welcome after a few weeks of winter down under.

I hung out with Mum, and spent a few days in Connemara with her and Ashling and Connor. I had forgotten how much I love Connemara. We spent so much time there as children, and Daddy knew every boreen and every beach. Even now, after all these years, the landscape is so familiar and so captivating. Mum was the same: it was as if we exhaled for the first time as soon as we got past Barna on the Coast Road, and we wanted never to leave.

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All around me on this trip was history. Especially in Connemara, every turn in the road brought you up against another ancient standing stone, another ruined castle, another fairy fort, another crumbling famine house, another favourite place for picnics and trips as children. Connor was in his element. He was chief navigator, sitting in the back seat with his proper ordnance survey map, shouting “STOP! Another standing stone up ahead Auntie Máiréad!” “Another famine house – where’s the camera?”  The map was full of red markers signifying antiquities but he was most interested in the tiny stone ruins of the famine houses – homes for people in the mid-1800s and abandoned when their inhabitants died or headed for the coffins ships to America. Maybe it was because they were closer in time to him, and he could imagine the people himself.

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Down at the beaches, you could still see the remnants of the drills of potatoes from the famine. As the potato plague took hold, people tried to grow potatoes everywhere they could, even on the infertile sand beside the water. They died anyway, and nobody ever harvested those meagre rotten crops. The undulating land remains nonetheless, to remind us of the five million who lost their lives.

Ireland is such a rich place to travel through after the relative sterility of Australia. We don’t even notice historical places, landmarks or buildings unless they are approaching a thousand years old in Ireland. In Australia, over a hundred years and it is considered ready for historical listing.

Strangely for such an ancient civilisation, Ireland only has two cultural items listed on the UNESCO World Heritage List: Skellig Michael down off the coast of Kerry, and the Brú na Bóinne Complex of Newgrange, Knowth and Dowth, on the north bank of the River Boyne north of Dublin. Although the Brú na Bóinne  complex is Europe’s largest and most important concentration of prehistoric megalithic art, so that counts for something. Australia, on the other hand, has two cultural items (the Sydney Opera House and the Royal Exhibition building and gardens in Melbourne), eleven natural items (including the Great Barrier Reef) and four mixed items including of course Uluru-Kata Tjuta National Park.

Maybe our history is so ubiquitous in Ireland that we neglected to preserve it.

But there was history of another kind too. On my first morning in Dublin I went to Mass with my mother, in our local church where we have been going since it opened in 1973. My mother is a minister there and well known – and hence so am I, if only as Madge Doyle’s youngest. I stood beside her whilst she said hello to her friends, and I nodded at acquaintances and greeted cousins. A friend of my mum’s indicated one of our old school teachers sitting nearby – she called her over to say hello. Sister Anne-Marie would have known who I was only because she saw my mum, but she didn’t recognise me from the child I had been. She peered into my face and finally, slowly said: “Ah yes, I see you in yourself!” We chatted about mutual acquaintances, and then another nun approached. Sister Anne-Marie called to her, saying simply “Look who’s here!” The other nun recognised me instantly without an introduction, although the last time she had had any contact with me was when she was teaching our choir before our First Holy Communion back when I was six. It was so strange to be amongst people who knew me as a child, and had seen me grow up. As somebody who has lived in a foreign country for so long, it is comforting and really uplifting to be in that sort of environment. It grounds you and puts you back in contact with your own personal history in a way that nothing else can.

Later in my trip, we took a drive around the village my mum grew up in. It is so different now. Even the old cottages she grew up in are long gone, razed to the ground in the months before she got married over 56 years ago. We drove down the Mill Lane to the edge of the river Liffey, where she and my dad used to wander as sweethearts before they got married, and where my mum used to roam as a child with her cousin Tommy McKenna and the neighbours’ children. Tommy died just a few weeks before I flew over, and we had visited his grave earlier so I could pay my respects. That graveyard – Esker – is an old one, full of my relatives. I clambered over waist-high weeds and stony graves to find Auntie Mag, and Aunt Bridie and Uncle Christy, and so many others.

But down the Mill Lane there is a cemetery with just one grave we know in it: that of my mum’s father who died when she was two years old, of malaria fever contracted during the war as he fought in the British Army. The cemetery is long overgrown and disused now, and is a bit of a no-go area since some drug addicts took it over as a recreation ground a few years ago. But on a showery Sunday afternoon I braved the long grass and headed in.

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The old church is in ruins now, and the view of the river is obscured by huge trees gone to seed. All I could remember about my grandfather’s grave was that it had a small black iron cross, it was to the left of a huge tree and it was right beside the cemetery wall. I searched but could not find it. My mum, frustrated at the wait in the car, decided to join me and she directed me to the other side of the church. Tommy had told her just before he died that the little iron cross was gone, so the main landmark was lost. I stood at the tree by the wall, and peered through a three-foot-thick clump of briars to see if I could see anything. We would have to send Bernard and Connor in with some hurley sticks to break down the briars.

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Back home, our cousin Pat had unearthed lots of old photographs in his house and he brought them over to show us. Mum sat at the kitchen table pointing out us as babies, aunties and neighbours long dead, and a couple of rare pictures of her mum smiling – that was a rarity. One old photograph was from my parents’ wedding but was not a photo they had seen before somehow. It was a complete group photo taken in front of the house, rather than the smaller group taken outside the church which is the only one they have. She went through the rows of people and named everyone, including one or two whose heads were partially obscured. I wrote them all down in case I forgot.

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Back here in Australia, I have a sister and a niece and an old friend who knew me as a child. I have some history here which is wonderful, and so unusual this far from home. But back in Ireland for those three weeks, driving the familiar roads around Dublin without the aid of a map, exploring the back roads of Connemara with the next generation of intrepid Doyle explorers, and rambling through old graveyards seeking out my family members, I felt completely at home.

From: Mairead Doyle

Sent: Sunday, 18 October 2009 6:56 PM

To: Good Medicine

 Subject: Good Health November 2009 issue

Hi there – Just bought the November issue of Good Health – it was my first time but I was tempted by the pedometer.

The one thing that struck me as I read through your magazine is that every single photo you used was of a fair-skinned Caucasian woman. The only exception to this was a single dark-skinned man in an ad from Grants of Australia.

In my experience as a Melbourne-dweller, this is not at all representative of Australia’s cultural or racial make-up, and the striking absence of any other race throughout the magazine made me wonder if this was a deliberate move on your part.

Surely the models presented to you for selection would include at least a small number of those from other races? And surely your magazine would seek to look like the women you are trying to reach? A smattering of beautiful women from other races would improve your magazine and probably your circulation too – bring on some more photos of fabulous women of Asian, Polynesian, African and Latina descent.

Regards Máiréad Doyle

 

From: Good Medicine

Sent: Monday, 19 October 2009 4:12 PM
To: Mairead Doyle
Subject: RE: Good Health November 2009 issue

Dear Mairead,

Thank you for your email, we always appreciate feedback from our readers.

Because we source models from photo agencies and don’t often cast models ourselves, our selection can be limited. Though I can assure you that we have used multi-racial women in previous issues and we will continue to do so whenever we can.

I do agree that women from all races are beautiful and fabulous and we love we love seeing them on our pages

Again, thank you for your feedback.

Warm regards,

Catherine Marshall

Editor

About the Fire Horse

The six decades spanning the gaps between the years of the Fire Horse mean that this rare sign occurs only in the years 1846, 1906, 1966, 2026, etc.

These years are bad for Horses themselves and bad for families who have a Horse in the house. This is because the Fire Horse’s influence can change from beneficial to malignant, and during these years all Horse families will become subject to illness, accidents and bad luck in general.

Men and women actually born in the year of the Fire Horse will have the same characteristics as the ordinary Horse — but they will be more accentuated, in the good qualities as well as in the bad. 

The Fire Horse will thus be a harder worker, a more cunning individual, more independent, more gifted … and alas, far more selfish. His passionate nature and the frantic egotism which seizes him will lead him to commit his worst excesses when he is in love.

The Fire Horse is animated and sociable. He has a wild side that leads him to a life on the edge. Fire Horses are generally either incredibly lucky or ridiculously unlucky. They love the excitement of action and the change it brings. The Fire element makes them passionate about their feelings and they always take a stand in a situation. Fire Horses are never on the fence about anything and have definitive opinions about the world. Their tempers can be overbearing

There are those who say that the Fire Horse can be a good influence in the heart of his own family. But popular belief asserts that he will make trouble in the home he was born in just as he does in the one he himself has built.

What we do know is that the Fire Horse will have a career that is more varied, more exceptional, more interesting than that of the ordinary Horse. The Fire Horse carries within himself the seeds of fame … or of notoriety!

new beginnings

The byline of my food blog is “what to eat when your world revolves around food”.

So I find it ironic that I am currently contemplating a new, and less fun, dilemma: what to do when your world revolves around work.

More than ten years ago I did little else but work. Moving back to Ireland briefly, I set my sister Annette off on regular rants about the fact that she could not get me out for a quick drink in our local pub because I was routinely too tired to get off the sofa. I had no life. It took quitting my job and a couple of years travelling to get some perspective on life. I continued wearing a bindi when I came home, to remind me never to get sucked into the rat race again.

Now, twelve years later, the main difference is that I have a better shoe collection than I did back in Malahide (when I was the owner of no more than three pairs of shoes, none of which were appropriate for anything fun). I still wear a bindi every day. But somehow, over the winter, I lost my personal life and my perspective.

OK, it was a tough summer and autumn, and perhaps I relaxed into the “simplicity” of focusing on work. After all, what we do is important, right? Over winter I stopped calling friends, going to the cinema, going for walks along the beach… everything really. I literally woke up every morning thinking about work, and Red Cross was the last thing on my mind before I went to sleep. I stopped blogging because I literally had nothing to say.

One evening over dinner with a friend (and workmate) I realised that I was little better off – and perhaps significantly worse off – than my Blugas days. I was shocked. How could an otherwise intelligent woman fail to learn from her very own experiences? How could I take such a backward step?

Well, as they say, recognition is the first step. I tried to remember all the things I used to do outside work, and couldn’t think of a damn thing. Then, we went to the cinema for the first time in ages. A week-old Arts and Culture pullout from Saturday’s Age reminded me that I had not seen any live theatre, dance or music for ages. I’d missed God of Carnage at the Melbourne Theatre Company, and the Dali exhibition at the National Gallery. I was horrified, and galvanised into action.

Now, my aim is to remember and act upon one enjoyable thing to do every week. So far I’m doing OK. A gig by comedian Daniel Kitson, going out for dumplings with mates and a Pinot Week wine tasting and gala dinner featured this week alone.

I am back on the mailing list for the MTC and a couple of ballets are booked for the run-up to Christmas. The sun is shining and walks on the beach are back on the agenda. We fly to Fiji in three weeks for an idyllic ten days on a tropical atoll.

I even went to see a medium – all things are possible!

And now I am back to blogging too.

tasmania august 2009

the hiatus is over

Having been silent for over three months, I prepare to write again.

About what, I have no idea. I think I have to go get a life.

It’s been so long that I accidentally logged into Blogger instead of WordPress. Now that’s saying something.

The proud family tradition that is the Melbourne Good Food Show came around again yesterday. Mena, Amy and I meet every year to spend a full day grazing at the food and wine stalls, and it is one of the highlights of the year.

We were in and getting our bearings by nine-thirty as usual. We had tickets to see Gordon Ramsay in the celebrity theatre at noon, and this year we were not going to miss it. We didn’t mind too much as the Australian Good Taste kitchen did not seem to be there this year – maybe because their food editor Michelle Southam is still on maternity leave.

I started the day as we meant to go on, getting a rum tasting in before ten o’clock. We had the outfits right (layers, nothing bulky, brave the chilly morning so you don’t have to carry your coat, comfy shoes). We had the bags right – capacious shopping trolleys that folded up into a tiny bag less than a piece of A4 paper. We had the rules right:

  1. Don’t buy anything bulky too early or you will have to carry it all day
  2. Don’t buy the first thing you see – there will be plenty of opportunity to empty your purse
  3. Don’t spend all day in the first three rows of stalls
  4. No pamphlets, show bags full of tins and 50 cent pasta, or magazines
  5. Try everything you are offered.

The food part, we have to say, turned out to be a little disappointing. Whether it was the result of the global economic crisis or something else, there seemed to be less exhibitors than usual. Many of our favourites were not there – no Aussie Good Taste kitchen, no Yumi dips, no Flinders Bread. In fact, there was little chance of coming out of there with something you could actually make into a square meal, unless you are happy eating chips and dips.

It seemed more than half the stalls were hawking jars of something: chutneys, jams, dessert sauces, marinades. Dukkas and spices also loomed large. Frankly, it got a bit same-ish by a couple of hours in. There was one central cheese stand with four suppliers on there, and nothing else dairy as far as we could see. There was a huge section in the middle of the floor given over to the Lindemans restaurant, charging inflated prices for dishes designed by the famous chefs in the celebrity theatre. Gordon Ramsay actually came out to the restaurant before he went on stage, and talked to the people eating his dishes. I was impressed by that – he didn’t have to – but what a disappointment to see how short he was, however perfectly formed.

2009 Gordon Ramsay

Gordon was a hit on stage too, with more than a thousand people filling the auditorium to see him cook. He could have filled the time waiting for things to cook a bit better though. His often lame attempts at humour, and sarcastic remarks about fellow chefs and other celebrities, got old quite quickly. We were there to hear about food – could he not have filled those gaps with more cooking tips and food talk? Ramsay repeated a few times that nobody had booked for Matt Moran who was coming up next, and asked if we could stay in our seats. But we – and most others it seemed – assumed it was just more sarcasm and attempts at humour, and left. Turned out there were less than forty people outside queuing for the next session. Matt Moran was going to be cooking for the first two rows of an enormous auditorium.

We ended up heading into the wine section much earlier than our rules allow, simply because we had run out of things to see in the food section. The wine tasting was hilarious and enjoyable as usual, as we ambled around tasting everything in sight and trying to keep to the Wine Section rules:

  1. Less talking, more drinking.
  2. Do not try to taste all the wines at each stall – try only one or two then move on.
  3. Do not try to sound knowledgeable or even interested – the stall people can see you are drunk.
  4. Do not try to make friends with the other people tasting wine – this is wasting time.
  5. No purchasing of any wine – by the bottle or for later delivery – after the first half hour as you are already drunk by then.

We bought nothing, tasted everything and, at one stage, blocked an aisle while the three of us wept inconsolably with laughter about something that we cannot now remember.

By five o’clock we were exhausted but happily unencumbered by very much at all except a few tins of cat food and one free magazine.

2009 before the drinking

Next year we will be there as usual, but it will not be the full day we have enjoyed for the past four years. The Good Food Show is slowly turning into the Sort of OK Food Show, and we shall trim our day accordingly. Perhaps we shall meet for brunch and just spend the afternoon there. It will still be a highlight of our calendar, but more for the company than for the show itself. Pity.

I didn’t wake up in the morning and mourn him, but my first thoughts were of him.

It has been four years and I still miss him. I wish I could hear his complaints about Irish politics, his interminable quest for knowledge, his bad jokes, the comical faces he’d pull when faced with what he considered nonsense.

I miss the only being on earth who called me Maiready.

My dad was a quiet man who lived for his family. A structural steel welder who could have made a career in the caring professions. A suspicious man who could turn his paranoia into drop-dead humour. A man whose virtual frequent flyer points far exceeded the distance he actually travelled in his life. A man who loved one woman all his adult life, even when she drove him mad.

I refer to him or things he taught me every day. My brother looks like him, my niece walks like him, my nephew is the new Him.

I remember his death in the same way I remember his life: with love and recognition and respect.

I hope one day to be half the man he was.

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